From Art Song to Concert works and Opera
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Tenor Zachary Vanderburg has been heralded as singing “beautifully” (Chicago Classical Review) and “with vocal luster, dramatic fire, and lyrical sympathy” (Augsburger Allgemeine), and his performances have been called “very fine” (Chicago Tribune), “riveting”, “a knockout” and “sensational”(Chicago Classical Review). Performances this season include appearances with the Lake Forest Civic Orchestra as Don Jose in Bizet's Carmen; an Alumni Recital at Roosevelt University with renowned pianist Dana Brown; appearances with Music of the Baroque, of which he is a member and teaching artist, under the direction of Jane Glover, Nicholas Kraemer, Paul Agnew, and William Jon Gray; performances of Jakub Jan Ryba's Czech Christmas Mass at Chicago Temple; a role debut of The Stage Manager in the Chicago premiere of Ned Rorem's Our Town with Chicago Fringe Opera; and recitals with Chicago's vocal quartet, Fourth Coast Ensemble. READ MORE...
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As the Visitor–in this staging a reporter scribbling notes and talking into his recorder–tenor Zachary Vanderburg was on the same level. He moved believably from an initially intrigued everyman to being appalled and repulsed by the machine, finally standing up to the bullying Officer. Vanderburg too sang beautifully, negotiating the role’s unsparing high tessitura with ease.
- review of Glass' In the Penal Colony with Chicago Fringe Opera • Lawrence Johnson, Chicago Classical Review |
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"Zachary Vanderburg sang with vocal luster, dramatic fire and lyrical sympathy."
- review of Haydn's Creation • Gernot Walter, Augsburger Allgemeine |
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"The soloists were all Americans, and it was outstanding how they realized the German text...Another good soloist was Zachary Vanderburg, whose bright tuned voice filled the church with ease."
- review of Haydn's Creation • Hans-Christoph Schröter, Mindener Tageblatt |
Live in Performance
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